Iconic Australian Design


Last Thursday, Design Tasmania in Lauceston inaugurated (on line for now) a new exhibition dedicated to Australian design icons. Over 100 products designed in Australia are presented in this display curated by Ian Wong.


I first got to know Australian design thanks to Lou Weis at Broached Commissions in Melbourne. His fine taste in high end product design was as passionate as his interest in the stories that made his country, acknowledging the indigenous tribes as well as the variety of profiles of the migrants who settled in Australia.

Briggs Family Tea Service by Trent Jansen for Broached Commissions

He presented his Broached Colonial collection during Design Days Dubai in 2013 and returned in 2015 with the Birdsmouth table by Adam Goodrum and additional creations.

Grant & Mary Featherston Sound Chair, Australia Pavilion, World Expo, Montréal 1967.

But Australia has also a design history when it comes to industrial design. Despite the massive exodus to China for the majority of today’s production, there is a lot of talents who created innovative domestic products. 

That’s what ICONIC Australian Design, curated by Ian Wong (Monash University Senior Lecturer in Industrial Design and design collector), is about. Presented at Design Tasmania, the exhibition demonstrates the vitality of Australia design.

Industrial Design is defined as the art or process of designing manufactured products. Our daily lives are powered by the outputs of industrial design- from cars and chairs to crosswalk buttons and power boards– each balances form and function delivering products that are necessary. Many reach cult status and become becoming highly covetable and even collectable: some have pushed even further into our psyche and become ‘iconic’.

Cohncave Bowl by Su San Cohn for Alessi

Designer Su San Cohn describes her transition into the field of industrial design thus: “Making inexpensive beautiful things is much harder than to do one-off art pieces. I wanted to take up that challenge.”

Featherston Settee at Boyd House

Designers working in the field of industrial design develop concepts and specifications aimed at problem solving; far from being a purely aesthetic exercise, they optimise purpose and value to bring innovative products and services into existence. The real challenge is overcoming the innumerable constraints to achieve actually getting something into market.

Stackhat

The designs and designers represented in ICONIC have mastered this crucial balance, elevating them to this exceptional status.

ICONIC Australian Design celebrates award winning and innovative Australian industrial design and features iconic designs from the 1880s to the present day.

Over 100 products designed in Australia including the Wiltshire Staysharp knife, Décor BYO wine cooler, Rosebank Stack Hat, and the Grant and Mary Featherston Sound Chair will be on display. Some innovations, like the Nylex Esky, were the result of our the unique Australian climate and lifestyle, but others like the Britax baby capsule and the Kambrook powerboard celebrate the capacity of our industrial design profession to bring a world first innovation to a global marketplace.

The exhibition was first presented at Monash University as part of Melbourne Design Week 2019 with the support of the Design Institute of Australia, and then its first touring venue was at the SASA Gallery - University of South Australia in 2019. The objects featured in the exhibition are mostly from The Ian Wong Collection and were recently featured in 100 Objects - Australian Design in the Home commissioned by the Robin Boyd Foundation at Robin Boyd’s Walsh Street House. The Tasmanian presentation will incorporate additionally sourced design objects from local design icons.

ICONIC Australian Design runs until August, 2020. A full presentation of designers and product is available here.


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